Daphne du Maurier in Fowey

Readymoney Cove Beach in Fowey, a favourite spot of Daphne du Maurier

Readymoney Cove Beach in Fowey, a favourite spot of Daphne du Maurier

Daphne du Maurier on one of her many walks around Fowey

Daphne du Maurier on one of her many walks around Fowey

Daphne du Maurier’s links with Fowey date from the war period when as with the heroine in her novel ‘Frenchman’s Creek’, she brought her children to live in rented accommodation around Readymoney in 1942. Later in 1945 she moved to the huge Menabilly on the Rashleigh Estate near Fowey. This creaking old house was the inspiration for Manderley, the starring house in ‘Rebecca’, immortalised in film by Hitchcock. Alfred Hitchcock, who knew the du Mauriers well, also adapted her work ‘The Birds’ onto the screen.

Once quoted as saying writers should be ‘read rather than seen’, du Maurier shunned the public spotlight believing that success was a very personal thing. Her love of the South Cornwall coast and the Fowey area shines through in her novels and you can find out more about the author’s work and time in South Cornwall at the informative Daphne du Maurier Literary Centre with gift shop in the heart of the town centre.


Du Maurier was particularly encouraged by her father, George du Maurier, who was a wealthy author himself, and a Punch cartoonist, actor-manager and matinee idol. Both her father and husband, a Major later Lieutenant-General, Sir Frederick Browning were key figures in her life, and after Browning’s death in the 1960s, du Maurier preferred a quiet reclusive life with her memories. Her youth had been a bright one, with no financial worries and room to travel with friends and write freely, encouraged by her father. The 1930s were certainly a prolific decade, with Jamaica Inn in 1938 and Rebecca in 1939. Du Maurier continued to write into the 1970s, however, and not just fiction but also histories and studies of Cornwall and an obsession with her own ancestors and family tree. She also wrote a biography of her father – ‘Gerald a Portrait’, and her family in ‘The Du Mauriers’.

Her readership was largely women, and she certainly cultivated it, dramatising their fantasies and dreams in novels like ‘Rebecca’, which she claimed was actually meant as a study of jealousy. Her novels were dark with a Gothic edge and twinge of the Freudian Oedipal with father figure Maxim in ‘Rebecca’, "I’m asking you to marry me, you little fool". Maurier played with the romantic novel genre, much like Agatha Christie and her early murder mysteries. Both these authoresses produced popular works, yet did something different with their chosen genres.

Literary Festival & Centre

A tour of the Fowey area and coastline is to take in the flavour of du Maurier’s novels and experience the landscapes that inspired her. Visit in mid-May to coincide with the annual literature and arts festival which pays due homage to du Maurier and her links to the area. The festival includes a mix of literary entertainment and activities from talks and drama performances to guided walks and concerts. The Daphne du Maurier Literary Centre, adjacent to the 15th Century church of St Fimbarrus which marks the end of the Saints Way, is a must visit for du Maurier fans. The centre also offers detail on other local authors associated with the area including Kenneth Grahame, Leo Walmsley and Sir Arthur Quiller Couch. The centre has a great gift shop well stocked with du Maurier novels and souvenirs.

Daphne du Maurier Links

Michelle is an experienced travel writer with iknow and has travelled extensively across the UK, Spain, Portugal and the USA. When she’s not busy writing for iknow she enjoys spending time touring museums and art galleries and seeking out the best independent shops in Manchester and Leeds.